selected opinions

Der Standard, october 13th, 2007

feminine delight
by Frans Poelstra, Robert Steijn en Martin Siewert

The Dance of the Ovaries
by Helmut Ploebst

At the close of the steirischer herbst festival (Stiermarken Autumn Festival) – with almost 45,000 people visiting the events this year – the performers Frans Poelstra and Robert Steijn have focused on the Grand Old Lady …

Black Box Theatre Oslo

Totally naked humour.

Funny, loving and teasing about the ingredients in a typically
intellectual dance-performance.

The Dutch Frans Poelstra had a dream. He wanted to liberate himself from the stigmatizing influence of art-history. Set free from schoolsand methods, he wanted to jump around gracefully. Twist his back in

Tanztheater International

Alexandra Glanz

ADAM DANCING

The lightness of appearance: ‘Frans Poelstra, his dramaturge and Bach’

For those who as yet were in the dark as to what a dramaturge’s profession is all about – on Monday night at the Tanztheater International all the usual questions about the art of dance and its various spheres

Die Presse

Isabella Wallnöfer, 28.01.2005

Ein Mixer und ein Gockel am Altar der Naivität

Frans Poelstra und Robert Steijn zelebrieren im Kasino am Schwarzenbergplatz ihren schamlosen, kindlich-naiven Humor.Da haben sich die zwei Richtigen gefunden. Frans Poelstra, der Performer. Robert Steijn, sein Dramaturg, der den Blick von außen beisteuert, damit Poelstra nicht den

Le journal des laboratoires

Guillaume Desanges, numero 4/2005, english translation - original french version below

La symphonie pathétique

From the start, nudity sets the tome. Disrupting the precious melodic line of a variation for harpsichord by Bach played in darkness, the nude body of the dancer

pole sud

DNA, Saison 2005/2006

strassbourg_bach002.jpg

Tanzjournal

 number 6-05 

tanzjournal_bach001.jpg

Die Presse

Isabella Wallnöfer / 12.07.2004

Halali zur Angsthasenjagd

Frans Poelstra als Zauberer der Fröhlichkeit im Freud-Museum

"I meditate - I masturbate - ain't it great - to bealive?" Frans Poelstra zog die knarrende Althaus-Atmosphäre des kleinen Sigmund-Freud-Museums für sein selbstironisches Solo den üblichen Aufführungsstätten vor. Dort blies er, nachdem er die Weitsichtbrille